Harry Philbrick appointed Executive Director

We are pleased to announce that the Newport Art Museum has appointed Harry Philbrick as Executive Director. The nationwide search was led by MS&R Senior Search Consultant Dan Yaeger.

A native Rhode Islander whose career spans galleries and museums from London to Philadelphia, Philbrick has spent the last three decades as the leader of distinguished arts institutions such as The Aldrich Contemporary Art Museum and the Pennsylvania Academy of the Fine Arts Museum. 

Philbrick is currently serving as the Interim Director of the Pennsylvania Academy of the Fine Arts Museum and previously served as Interim Director of the Fabric Workshop and Museum, where he led the artist-centered institution through a strategic restructuring. He will start work in Newport in mid-September, taking over from Interim Executive Director Ruth Taylor. 

In 2016, Philbrick founded Philadelphia Contemporary, a visual and performance arts nonprofit that connected the community through place-based installations and programming. He served as Director until 2023, and in that time raised more than $10 million. Prior to that, he was Director of the Pennsylvania Academy of the Fine Arts Museum and Director of The Aldrich Contemporary Art Museum. At The Aldrich, Philbrick led a $9 million capital campaign to open a new building, helped grow the endowment from $9 million to nearly $30 million, and led the Museum’s renowned exhibition program. 

Philbrick’s other professional roles include staff lecturer at the Museum of Modern Art and the Metropolitan Museum of Art, both in New York, and head of the exhibition lecture program at Hayward Gallery in London. Philbrick has an MFA from the University of London. 

“Harry is an extraordinary talent who will lead the Newport Art Museum into a future that honors the past yet remains innovative and relevant,” said Chair of the Board Ellie Voorhes. “This Museum has been a vibrant cultural hub in Newport for more than a century. Harry appreciates our legacy, understands our strategic plan, and has a strong vision for continued growth.” 

“Art, creativity, and their power to bring people together have always been at the center of my life and career. The Newport Art Museum is uniquely positioned to foster those connections,” said Philbrick. “I am excited about the possibilities the Museum has to connect communities within and around Newport, and to make a national impact in the years to come.” 

Benjamin Neely Appointed President and CEO

We are pleased to announce that the York County History Center has appointed Benjamin Neely as its new President and Chief Executive Officer.

Neely brings significant experience in museum management and historical programming to his new role. He most recently served for six years as Chief Executive Officer of the Berks County History Center in Reading, PA. Before that, he was with the Adams County Historical Society in Gettysburg, PA for fourteen years, the last seven as Chief Executive Officer. His background in central Pennsylvania’s cultural institutions provides him with valuable insight into the unique challenges and opportunities facing regional history centers. Neely holds an M.A. in Applied History from Shippensburg University, PA, and a B.S. in Marketing from the State University of New York, Oswego.

Throughout his career, Neely has shown a commitment to making history accessible and relevant to diverse audiences. His experience spans various aspects of museum operations, including collections management, educational programming, and community outreach. 

“We are thrilled to welcome Benjamin Neely to lead the York County History Center into its next chapter,” said Dennis Baughman, Chairman of the History Center Board. “His extensive experience in museum leadership and his proven track record of engaging communities with their local history make him the ideal candidate to advance our mission of preserving and sharing York County’s rich heritage, and to lead the History Center’s continued growth and evolution as a vital cultural resource for the region.”

“I am honored to join the York County History Center and look forward to working with the dedicated staff, volunteers, and community members who make this organization so special,” Neely said. “York County has such a rich and fascinating history, and I’m excited about the opportunity to help share those stories in new and engaging ways while building on the strong foundation that already exists.”

Neely succeeds Joan Mummert, who retired at the end of April. Terri Altland, Vice President of Visitor Engagement, served as interim President and CEO since May 1 and will continue to support the organization during the transition period.

Mindy N. Besaw appointed Director

We are pleased to announce that Mindy N. Besaw, Ph.D., is the new Wilma E. Kelley Director of the Sidney and Lois Eskenazi Museum of Art at Indiana University Bloomington.

Besaw brings more than two decades of curatorial and museum leadership experience with a focus on innovative exhibition design, expansive storytelling, and academic collaboration. She will assume her position on August 15, 2025. The search was led by MS&R Senior Search Consultant, Suzanne Tan.

Besaw currently serves as Director of Fellowships, Research and University Partnerships and Curator of American Art at Crystal Bridges Museum of American Art in Bentonville, Arkansas. Since joining the institution in 2014, she has curated major exhibitions that examine wide-ranging narratives in American art and has championed initiatives that center underappreciated artists and voices. She has been instrumental in leading the Museum’s Tyson Scholars of American Art Fellowship Program, and in the foundation of the University of Arkansas’ Master of Arts in Art History, which specializes in arts of the Americas in partnership with Crystal Bridges. Earlier in her career, Besaw served as curator at the Buffalo Bill Center of the West in Cody, Wyoming, where she oversaw the Whitney Western Art Museum. Her work has explored intersections of place, identity, and history in American visual culture.

Besaw earned a doctorate in American art history from the University of Kansas, Lawrence, and holds a master’s degree in art history and museum studies from the University of Denver. At the Eskenazi Museum, Besaw succeeds David Brenneman, who became Director and CEO of Telfair Museums, Savannah, on September 1, 2024.

As Director, Besaw will oversee all facets of the Eskenazi Museum of Art’s strategy, operations, and engagement, including exhibitions, collections, teaching partnerships, and public programming. Reporting to the Provost and Executive Vice Chancellor, she will guide the Museum’s next chapter as a dynamic center for visual arts education, interdisciplinary scholarship, and cultural dialogue. 

“Mindy is a visionary leader whose curatorial excellence and collaborative spirit make her an exceptional choice to lead the Eskenazi Museum of Art,” IU Bloomington Provost Rahul Shrivastav said. “Her deep commitment to expansive practice, community engagement and academic partnership will further elevate the Museum’s impact at IU and across the region.”

Noel Herden appointed as Executive Director

The Ellen Noël Art Museum (ENAM) has named Nicole Herden as its Executive Director. She began work on April 14. The national search was led by MS&R Senior Search Consultant, Dan Yaeger.

She most recently served as Executive Director of the Colorado Springs Fine Arts Center at Colorado College, where she ran a multidisciplinary organization with an accredited art museum, theater, and art school. Her previous experience includes Executive Director at the Museum of Nebraska Art as well as curatorial and collections roles at Boise Art Museum, Phoenix Art Museum, and Arizona State University Art Museum.

Herden is an accomplished museum executive with over twenty years of experience in leadership, curatorial practice, and institutional transformation.

“Nicole has a blend of skills in museum management, art scholarship, fundraising, and community building that are an excellent fit with our Museum,” ENAM Board President Karmen Bryant said. “Her leadership will help us move into our new facility and chart a course for the coming years.”

ENAM is currently constructing a new 36,000-square-foot facility set to open in late 2025, which has been funded through a $20-million capital campaign. Bryant cited Herden’s experience with large-scale museum construction projects and fundraising. “She checked all the boxes for us,” Bryant said.

In addition to opening the new museum and launching new exhibitions in the galleries, Herden is charged with leading a strategic-planning effort that focuses on new opportunities generated by the new facility, galvanizing community support, and leveraging the Museum’s status as a Smithsonian Affiliate and AAM-accredited institution to serve visitors and the community.

Scott O’Donnell appointed Executive Director

We are pleased to announce the appointment of Scott O’Donnell as Executive Director of the Museum of the Southwest. He will begin work on April 1, 2025. Dan Yaeger, Senior Search Consultant for Museum Search & Reference, led the national search.

O’Donnell brings more than 30 years of experience in organizational leadership, museum administration, and event management. Most recently, Scott served for eleven years as the Executive Director of Circus World, a 64-acre living-history museum in Baraboo, Wisconsin, the historic headquarters of the Ringling Brothers Circus. The Museum is the largest and most comprehensive circus museum in the world with more than 11,000 works of art, historic artifacts, and ephemera in addition to twice-daily seasonal circus performances.

In addition to his museum work, Scott served in leadership positions at Live Nation, an international entertainment and event-production company, where as Vice President of Festivals, he oversaw major music festivals, concerts, and venue operations around the country. He was also General Manager of the Verizon Wireless Theater in Houston, as well as Vice President and General Manager of the Big Apple Circus, a nonprofit touring circus with an international following.

As Executive Director of MSW, O’Donnell will lead the Museum’s efforts to prepare for its 60th anniversary in 2026 with a new strategic plan and branding, an initiative to create a new Visitor Center to unify its campus of museums, and by leveraging the Museum’s status to serve visitors and the community as an institution accredited by the American Alliance of Museums.

Christina Yang appointed as Executive Director

The AAMC & AAMC Foundation Board of Trustees has appointed Christina Yang as the next Executive Director. Yang brings nearly three decades of experience as a curator and program director working independently and at the Solomon R. Guggenheim Museum, the Williams College Museum of Art, and the Berkeley Art Museum and Pacific Film Archives. Yang will begin at AAMC part-time starting June 23, 2025, collaborating closely with Interim Executive Director Minna Lee, and will assume her position full-time on September 2, 2025. The search was led by MS&R Senior Search Consultant, Suzanne Tan. 

Yang most recently served as Chief Curator at the Berkeley Art Museum and Pacific Film Archive and as Deputy Director for Engagement at the Williams College Museum of Art. At the Solomon R. Guggenheim Museum, she led Public Programs from 2005 through 2019, including curating interdisciplinary global projects. Her early career was shaped by curatorial work at The Kitchen and the Queens Museum of Art. 

Based in New York City, Yang is currently working as an independent curator, writer, and educator, including as a regular contributor to the Brooklyn Rail, while completing her Ph.D. She is a specialist in global contemporary art with a focus on the Asian diaspora, social practice, performance, and experimental genres. Throughout her career, Yang has been an advocate for equitable access and new curatorial practices, and she has mentored emerging museum professionals, focusing on students of color. She teaches in the School of Visual Arts Master of Arts program in Curatorial Practice and has been an adjunct lecturer/recitation leader at Bennington College, New York University, California College of Arts and Crafts, and Long Island University.

Yang has served on the Board of the Association of Academic Museums and Galleries as well as of Women & Performance, a journal of feminist theory. She is a Curatorial Ambassador for the new biannual Arrival Art Fair in North Adams, Massachusetts, opening in June 2025, and she will earn her Ph.D. in performance studies from the Tisch School of the Arts, New York University in May 2025. She holds an M.A. from Williams College and a B.A. from the University of California, Berkeley.

Peter A. Mello appointed Executive Director

The Board of Trustees of the Art Complex Museum in Duxbury, MA, has named Peter A. Mello as its new Executive Director. Mello succeeds Charles Weyerhaeuser, who has held the position for over 50 years. Mello began his tenure at the ACM on September 9. The nationwide search was led by Senior Search Consultant Lora Urbanelli.  

Mello joins the museum from WaterFire Providence, where he has been the Managing Director, co-CEO, and a Board Member since 2011. WaterFire Providence is a public art experience that draws thousands of visitors to the rivers and parks in downtown Providence, RI. 

In addition to the large public art event, Mello led the project team that created the WaterFire Arts Center, a 37,000-square-foot, multi-use arts center. He led the concept development, planning, design, and construction of the center, which opened in 2017. Mello also led the team that develops the exhibitions, programming, partnerships, and revenue generation strategies for the center. 

A strong supporter of young artists, Mello created WaterFire Accelerate, a professional development program for artists under 30, and ArtLab@WaterFire, a leadership and workforce development program for underserved high school students. 

 With the next Executive Director in place, Charles Weyerhaeuser will take on the new role of Chief Historian of the Art Complex Museum. In this position, he will collaborate with the museum’s Collections staff to document the history of museum, its collection, and additional acquisition details of key objects in the collection. 

Magdalena Moskalewicz appointed to the position of Chief Curator and Associate Director for Curatorial Affairs

We are pleased to announce the appointment of Magdalena Moskalewicz to the position of Chief Curator and Associate Director for Curatorial Affairs at the Sheldon Museum of Art.  Moskalewicz was selected for the Sheldon position after a national search led by Suzanne Tan, senior search consultant at Museum Search & Reference.

Moskalewicz is an art historian, professor, and an internationally recognized curator, as well as a widely published researcher of modern and contemporary art. Most recently, she was Chief Curator of FRONT International, a contemporary art triennial based in Cleveland. Before that she served as a full-time visiting professor and adjunct associate professor at the School of the Art Institute of Chicago, as a visiting professor at Carnegie Mellon University School of Art, and as an Andrew W. Mellon Postdoctoral Fellow at the Museum of Modern Art in New York. In her native Poland, Moskalewicz was a visiting curator at the Zachęta National Gallery of Art in Warsaw and served as curator of the Polish Pavilion at the 56th Venice Biennale in 2015, among other appointments. Moskalewicz was awarded both a Doctorate and a Master’s degree in Art History from Adam Mickiewicz University in Poznań, Poland. 

“Magdalena brings to the Museum deep expertise and a compelling, progressive vision,” said Susan Longhenry, director of Sheldon Museum of Art. “Her commitment to simultaneously honoring and reframing Sheldon's collection, and to interrogating the art history canon, will take the Museum to the next level of scholarship, engagement, and impact.”

Moskalewicz has stated her interest in developing exhibitions and programs at Sheldon that “reflect the complexity of America today: globally connected and relevant,” aiming to “use art as a trigger that speaks to the moment,” and “delivering socially responsive curating that is stimulating and thought-provoking.”

She began her appointment in January 2025, joining a senior leadership team composed of the Museum’s Director and the newly hired Chief Curator and Associate Director for Learning, Engagement, and Public Practice.